THE MEANING OF HYPERBOLE FIGURES OF SPEECH: A SEMIOTIC STUDY ON THE LYRICS OF THE SONG “AMIN PALING SERIUS”
DOI:
https://doi.org/10.33197/ejlutama.v9i1.272Keywords:
hyperbole, music, semiotics, analysisAbstract
This study aims to understand how Sal Priadi and Nadin Amizah apply hyperbole in the lyrics of their song, "Amin Paling Serius." Released in 2019, this song captured the attention of Indonesian music fans with its humorous yet deeply meaningful lyrics. The research focuses on answering two main questions: What types of hyperbolic figures of speech are found in the lyrics of "Amin Paling Serius" by Sal Priadi and Nadin Amizah, and how does the use of hyperbole in these lyrics provide a rich aesthetic experience and deep layers of meaning for listeners? A qualitative content analysis was conducted using descriptive and semiotic approaches. The study identified six significant examples of hyperbole in the song. According to the analysis, hyperbole enhances emotion, visualizes abstract concepts, emphasizes key messages, increases poetic value, and creates a universal impression. From a semiotic perspective, the use of hyperbole creates complex layers of meaning and enriches the listener's aesthetic experience through powerful imagery and deep emotional resonance. The study found that hyperbole plays a vital role in creating meaning and emotional resonance in "Amin Paling Serius." These findings provide valuable insights into the use of linguistic styles in modern Indonesian song lyrics and could serve as a foundation for future research in this field, particularly in the semiotic analysis of song lyrics.
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